EDUCATION
2024 Master of Fine Arts, University of British Columbia, Canada
2016 Bachelor of Arts (Honours) Visual Arts, Academy of Visual Arts, Hong Kong Baptist University, Hong Kong
SOLO EXHIBITION
2025 back of a drawer, Access Gallery, Vancouver
2024 sedimented sentiments, WURE AREA, Hong Kong
DUO SOLO EXHIBITIONS
2025 Candle Smoke with a Long Draw, This Gallery, Vancouver (exhibition and performance)
2017 - -/- -/- -, Academy of Visual Arts, Kai Tak Campus, Hong Kong
2016 Wandering, a.m. space, Hong Kong
GROUP EXHIBITIONS
2024 Aqueous Nerve: UBC MFA Graduate Exhibition 2024, Morris and Helen Belkin Art Gallery, Vancouver
2024 Entangled Embodiment, AHVA Gallery, Audain Art Centre, Vancouver
2023 Solitarium, AHVA Gallery, University of British Columbia, Vancouver
2022 38.4, WURE AREA, Hong Kong
2019 Bland Blank, Experimental Gallery, Hong Kong Arts Centre, Hong Kong
2019 Shek O Sublime, Gallery EXIT, Hong Kong
2018 Observe / Scrutinise / Perceive, Gallery EXIT, Hong Kong
2018 Weight Watchers, Kunstquartier Bethanien, Berlin
2017 Crash printing, Koo Ming Kown Exhibition Gallery, Hong Kong
2017 To Each, his zone, Gallery EXIT, Hong Kong
2016 HKBU AVA BA Graduation Exhibition, Academy of Visual Arts, Hong Kong
2016 Book and Print Festival, Koo Ming Kown Exhibition Gallery, Hong Kong
2016 About Turn, Koo Ming Kown Exhibition Gallery, Hong Kong
2015 In the name of Drawing, Koo Ming Kown Exhibition Gallery, Hong Kong
RESIDENCY
2022 Tai Kwun Artists’ Studio Programme, Tai Kwun, Hong Kong
AWARDS & GRANTS
2023 Audain Travel Award, Audain Foundation
2023 B.C. Binning Memorial Fellowship
2022 Faculty of Arts Graduate Award, UBC
2021 Project Grant: Emerging Artist Scheme, Hong Kong Arts Development Council
2016 Studio Arts Prominent Award , HKBU
2016 Academy of Visual Art Keeper Collection, HKBU
ARTIST TALK
2025 Artist Talk, Emily Carr University of Art + Design <Dialogue with Drawing class>
2025 Dialogue with Caitlin Ffrench, Access Gallery
Tiffany Law is a Hong Kong visual artist living and working on the stolen ancestral lands of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations. Her practice explores drawing and printmaking as conceptual and material tools for creating personal archives that reflect loss and existence, expanding on how grief resists standardised temporal structures and embraces the inherent fragility of being. Through mark-making, she externalises the self and engages with time woven by labour, pain, and gesture. Fascinated by the entanglements between the mortal body, geological time and land formation, her work challenges finality through cyclical and labour-intensive processes.
Law holds an MFA from the University of British Columbia (2024). Her work has been supported by the Audain Foundation and the Hong Kong Arts Development Council. Her recent solo exhibitions include back of a drawer (2025) at Access Gallery, Vancouver, and sedimented sentiments (2024) at WURE area, Hong Kong. She has received support from the Audain Foundation (2023) and the Hong Kong Arts Development Council (2021) for her artistic research and practice.